I am absolutely gutted. I genuinely cannot describe how Walker's music makes me FEEL - he hit parts of me I didn't previously know were there. An exceptional lyricist and an utterly singular musician with a truly singular vision. And then there's his voice, oh that voice.
Fuck.
He was working on an album, some of the lyrics had been published. We'll never hear it.
Bit late to the funeral here but honestly, what can you even SAY? Truly incredible artistry and oh! that FUCKING VOICE!
I’m going to a Sunn O))) listening party on Tuesday so I shall raise a candle for Scott. (Well, I probably won’t. It’s in the dark. I’ll speak transparent phrases to looking glass women at the end in honour of Monsieur W.)
And let’s have some Brel while we’re at it. You can never have enough JACQUES
I actually think that Scott’s take on ‘Amsterdam’ manages to be slightly better than Brel’s original - and you don’t get THAT level of attack very often in a lifetime - and both of them obviously raise a leg over that Bowie effort
I did see Sunn O))) in '04 and they were so loud I could feel my jeans vibrating. They weren't even baggy, just not skin-tight...
Anyway, it's not as if "SOUSED" is Scott's last work as we have then excellent soundtrack to "The Childhood Of A Leader" and I guess I'm going to have to nab the "Vox Lux" soundtrack now as well.
Bowie was a massive fan and covered Walker's "Nite Flights" as well as copping Brel's "Amsterdam" from SW. Bowie also put up some of the money needed to make the "30 Century Man" film about Walker, also appearing as one of the many "talking heads" (not Talking Heads tho') in the film.