Melodifestivalen 2020: Deltävling Four - Malmö

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We've reached the final week of Melodifestivalen, and while this season has certainly had its moments, there's not much sense that we've heard a potential Eurovision winner yet. Will it be in this heat? Here are the contenders...

1. Frida Öhrn - We Are One
Frida Öhrn, Hampus Eurenius, Nicklas Eklund
FRIDA-OHRN_SVT_Janne_Danielsson_2020-2048x1365.jpg


A talented journeywoman type, Frida Öhrn has popped up on a number of interesting projects. Her first band Oh Laura had a modest worldwide hit with 'Release Me' (no, not that one), then she made two Melfest appearances as part of the hysterically named country trio Cookies 'n' Beanz. More recently she's enjoyed a successful ongoing collaboration with Bo Sundström of the Bo Kaspers orkester. Will her first solo Melfest turn finally launch her as a star in her own right? This should be very professional fare and a good shout for Andra Chansen, although her lack of fanbase may stall her a bit.

2. William Stridh - Molnljus
Markus Lidén, Christian Holmström, David Kreuger, William Stridh
WILLIAM-STRIDH_SVT_Janne_Danielsson_2020-2048x1365.jpg


A finalist on the 2018 season of Swedish Idol, Stridh went on to release a few modestly received singles with his band The Audrey. His Melfest entry is his first solo effort of any note. The placement of this in the running order suggests filler, but he's young and in possession of a cock so you never know.

3. Nanne Grönvall - Carpool Karaoke
Nanne Grönvall, Peter Grönvall
NANNE-GRONVALL_SVT_Janne_Danielsson_2020-2048x1365.jpg


A true Swedish icon, Nanne Grönvall makes her first competitive appearance since 2007. Always a quirky songwriter, of late her material has tended towards novelty songs of varying degrees of listenability. True to form, this song has been described as an over the top paean to James Corden. Sounds truly horrifying TBH, but a legend she remains and hopefully it'll be a dollop of big silly fun. Given how long she's been away, she's fairly untested with modern audiences, but I feel like she might be held in rather higher regard than your Bengtzings and Aldéns, so maybe she can get an affectionate push over the qualifying threshold. We live in hope.

4. Victor Crone - Troubled Waters
Dino Medanhodzic, Benjamin Jennebo, Victor Crone
VICTOR-CRONE_SVT_Janne_Danielsson_2020-2048x1365.jpg


Victor last appeared in Melfest voicing the eminently forgettable AC-er Det rår vi inte för in 2015, before doing what is known in the industry as 'a Sahlene' and popping over to Estonia, who he represented last year with Storm. That song was a modest Swedish radio hit, so now he gets an invite on home turf. This is well fancied in the odds, but it may just because he's been before so recently. Still, another likely contender to qualify in some form or another.

5. Ellen Benediktson & Simon Peyron - Surface
Paul Rey, Laurell Barker, Anderz Wrethov, Sebastian von Koenigsegg, Ellen Benediktson
ELLEN-BENEDIKTSON-SIMON-PEYRON_SVT_Janne_Danielsson_2020-2048x1365.jpg


Ellen Benediktson impressed producers as a stand-in vocalist at Eurovision 2013 and went on to score a Melfest finalist the following year with Songbird. Her sexpot transformation with Insomnia the following year didn't really take, but after a few quiet years she's back for a third go, and possibly a third genre switch, given she's drafted in heavy metal singer Simon Peyron of the band Outrigger. This really could go in any number of directions.

6. Jakob Karlberg - Om du tror att jag saknar dig
Nanne Grönvall, Isak Hallén, Henrik Moreborg, Jakob Karlberg
JAKOB-KARLBERG_SVT_Janne_Danielsson_2020-2048x1365.jpg


Another tough one to predict. Jakob Karlberg had a big summer hit a few years ago with Fan vad bra, but since then he's struggled to successfully follow it up, hence a possibly begrudging trip to Melfest to dodge the bullet of One Hit Wonderdom. Will anyone still care? Hard to say, but with Nanne a co-writer on this one too, it might not be a total waste of everybody's time.

7. Hanna Ferm - Brave
David Kjellstrand, Jimmy Jansson, Laurell Barker
HANNA-FERM_SVT_Janne_Danielsson_2020-988x659.jpg


The runner-up from last year's contest in a duet with LIAMOO, Hanna Ferm returns as a solo artist this time around, and with the heat four pimp slot secured, this is likely to be the song to beat.

Press reviews: Wednesday
SNIPPETS: Thursday
Show: 7pm UK Time Saturday​
 
Surface is meant to be electro musical-theatre which I admit is a thrilling prospect. If it’s great it will be incredible, if it’s terrible it will be incredible.

Well Insomnia was KIND of electro-musical theatre. So perhaps it's a bit like that? I always thought that seemed more Ellen's kind of music than Songbird anyway.
 
So the reviews are in, and Hanna is described as similar Marina and the Diamonds, Nicola Roberts and Ava Max. Whatever that means. It seems her only other challenger is Victor Crone who has an Avicii style country EDM track.
 
The Hanna review from Schagerprofilerna smacked more of something they WANTED to love than something that truly blew them away.

Sounds promising though. The Victor review WORRIES me. If there's a bland male consensus winner on the horizon...
 
Oh I’m really not here for a Victor Crone win.
 
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Weirdly, it's been the best year in ages for female qualifiers, but that may end up backfiring. I would imagine Anna Bergendahl, Frida Öhrn (if she progresses, her song had strong reviews too) and Mariette are essentially playing to the same voter demographic. Same for Dotter and Hanna Ferm, potentially. If there's a single male performer who offers a clear standout, it won't take much for a vote split to give him a path to victory.
 
I'm not here for a Victor Crone win either, but I'm here for him scaring the ESC-fandom (myself included) into believing he could win over our faves!

I don't believe the Swedes would vote for him though, seeing as how he represented another country just last year. Even if they see the international juries pile votes onto him, I just can't see them wanting sloppy seconds.
 
Does is really matter if it’s sung by a man or a woman? If Victor has a good pop song wouldn’t he share voters with the other pop songs? I think most regular voters don’t care about male/female. I know I don’t.
 
Does is really matter if it’s sung by a man or a woman? If Victor has a good pop song wouldn’t he share voters with the other pop songs? I think most regular voters don’t care about male/female. I know I don’t.

I'm probably totally overthinking - but what's Eurovision season without a bit of GAY PANIC? :disco:
 
Does is really matter if it’s sung by a man or a woman? If Victor has a good pop song wouldn’t he share voters with the other pop songs? I think most regular voters don’t care about male/female. I know I don’t.

Say what?! :shock:
 
:D OH I BET. You know you’d love it. Get chummy with Deban and lock Wiwi in the cellar. Tell him there are many ESC luminaries down there and bolt the door after him :disco:
 
Nanne's entry sounds fun but very novelty as expected.

The rest seems like spotify playlist hell, keeping in line with this year's theme.
 
I like a solid 6 out of 7. Nanne is suitably demented, although the production quality is a bit iffy. Surface hasn’t disappointed from what you get to hear of it.
 
Here for Carpool Karaoke, which sounds exactly like the HOT MESS I was expecting :disco: The novelty is the chorus being 100% pre-recorded vocals. :disco:
 
Another uninspiring selection this week.

I really hope they ditch Karin Gunnarsson next year. She really hasn’t got a handle on the song selection process.
 
Why exactly did Victor Crone represent Esthoniana last year? Don’t they have enough stars of their own? I mean there’s noxy old pole queen Laura and, well, MANY OTHERS :tongueout:

I was going to kindly suggest that he piss off back there - I’m sure much-loved MF favourites like Amy Diamond could do a super job of his song, provided she’s not on horse and living in a gutter - except I now see that he’s Swedish :)
 
It was a bit random. The song was written with an Estonian team so it wasn’t a complete lift ‘n’ shift.
 
Another uninspiring selection this week.

I really hope they ditch Karin Gunnarsson next year. She really hasn’t got a handle on the song selection process.

Christer has overseen everything still, she’s still being trained.
 
I feel SVT might have got a bit ahead of themselves after the last couple of years when plenty of even the non-qualifying songs became Spotify hits and stuck around for longer than normal. They bigged that up a lot, and they were quite right to. So this year, they've really tried to maintain that by chasing the sound of what's already out there.

BUT! So far it's fallen flat on both sides. The fans aren't happy about the overall selection this year and the songs that have been released so far aren't shaping up to be hits, aside from two - Felix (who's actually dropped out of the Top 50 now, but he'll obviously re-emerge around andra chansen), and Anis Don Demina.

I think last year at one point, there were 19 Melodifestivalen songs in the Spotify Top 50 altogether at one time. Assuming all 8 of the finalists do make the chart next week, it's looking like they'll perhaps be joined by only 2 to 4 more. Which is still incredible, compared to literally every other national final in Europe, but it's a drop for SVT and they'll see it that way, too.

Anyway, the final is already looking great, and I don't think that should be forgotten. But there's an overwhelming feeling of disaapointment out there amongst the fans of the show. There's not been anything special enough for us, and this hasn't translated into hit songs elsewhere, either. Get that drawing board out again for 2021.
 
2021 is Christer’s final year at the helm, isn’t it? I’m sure he’d love one more win before he retires to match Ireland’s record.

I do agree that they need to stop chasing the obvious formula, with less reliance on songwriting camps. A less clinical approach should see Sweden return to the days of sending unabashed, quality songs.
 
How long has Christer been doing this for?
 

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