Lay All Your Love On Me - ABBA

Your only vice out of 10?

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  • Total voters
    21
Agneeta

Agneeta

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I know I'm not breaking ground by dropping a topic on this freah new beat. It really is one of the sensational, dramatic, possessive, cathedral sized, electro pop bangers of all time. It created eighteen new genres and asked who needs guitars anyway?

I just walked past a shopping centre and it was playing full blast, and I was caught in the moment and had to immediately rush to Moopy to slather it in praise.

 
That said the top 10 that week was largely shite

1 Ghost Town - The Specials
2 Stars on 45 (Volume 2) - Starsound
3 Can Can - Bad Manners
4 Chant No. 1 (I Don't Need This Pressure On) - Spandau Ballet
5 Body Talk - Imagination
6 Motörhead (Live) - Motörhead
7 Lay All Your Love On Me - ABBA
8 Wordy Rappinghood - Tom Tom Club
9 Happy Birthday - Stevie Wonder
10 Dancing On The Floor (Hooked On Love) - Third World

Ghost Town and Chant No.1 are both fine.
 
Let's not forget how big Super Trouper the album had been and how many copies it had sold long before LAYLOM was released - it had 9 weeks at #1 and was the #1 album of 1980 despite not being released until November. Plus all momentum had really been lost, since the last single (in the UK and I believe in every country where LAYLOM was released as a single), was the title track eight months previously. The Visitors was only 4 months away.

I imagine it's very likely it would have been bigger had it been released on 7", but I'm not convinced it would have been a #1.
 
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this one was for the muscle sluts and the twinks, the bottom feeders and the glamorous girlies of the pan-european club scene, not the GP (at the time). it was officially too hot to be a hit.
 
lolly said:
843m Spotify streams and doing around half a million daily, so it should join the billion club in 2027 :disco:
Click to expand...
289m for the Amanda Seyfried version. And still being streamed 120k times daily.

6m for the Erasure one.
 
I think there’s still a part of me that feels it doesn’t sound quite right when I’m listening to this and it doesn’t segue into The Way Old Friends Do at the end.
 
I would almost put this up there with I Feel Love with songs that birthed a million successor songs

It's the sonic blueprint for every sad gay banger since

Listening to it now, there are few pop singers as skilled as Agnetha at wrapping a lyric is a sort of elevated, custom-couture level of despair
 
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