Hollywood - the poll (1 Viewer)

i've had a million visions BAD AND GOOD... *demented bell rings*

  • it's a Madonna classic

  • it's not a Madonna classic but I love it

  • it's a good to very good song

  • it's an alright song but a poor Madonna single

  • a bad song

  • time has been kind to Hollywood

  • these days I'm over it

  • PUSH THE BUTTON!

  • DON'T PUSH THE BUTTON!

  • trip the station/change the channel?


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Jark

PLUMP and RIPE
Joined
Oct 27, 2007
Messages
59,221
where do we stand on this now?

a minor hit at the time during a backlash/flop era. quickly forgotten. I used to worship this song and took a very long break from it but lately I've been of the view again that it's a slept on classic. it's just so fun, relentlessly hooks, superbly well produced - utterly stunning job by dear old Mirwais - and with a fab video to boot.

 
I like it plenty, not sure it would’ve done much better than the title track if it came first but I think it would have been a smoother launch. I like that remix too, forgot what it was called.
 
God I just played this to confirm my opinion and was subjected to the horror show that is Iiiiiiiiiii’m So Stoopid straight after. :zombie:
 
there are bits of a good song in I'm So STOOPID if you can get past the first minute or so :D
 
The single was a #2 in the UK which is still a good finish. I like it but dont love it. One of those instances where she’s trying to do something that was done better by other “cooler” at the time artists.
 
I like it a lot more these days. However, it was not strong enough to lead the album, or resuscitate it once it had flatlined.

Obviously it absolutely slaps in the context of Like a Virgin/Hollywood/Work It, so there's that.
 
The remix is of course a behemoth moment, but in original form I found Mirwais under the strained direction of Madge not wanting a Music Part II. So whilst it's a great headphones album, it's also kind of drab and flat compared the albums that came before it.
 
I completely forgot this song existed until it was used to open and close a play I saw last year called The Code.
 

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