Sheena
CALL IT HOUSE
- Pronouns
- he/him
- Joined
- Feb 3, 2004
- Messages
- 140,052
Since the release of Veronica Electronica, I've been hammering all things Ray of Light, and, in particular, have really been struck by just how phenomenal a piece of ABSOLUTE FUCKING ART Mer Girl is. I mean, it's always been 10/10 for me and it's the perfect circular ending to the album, from the water imagery of "Drowned World" and the perils of fame to the
I spent a long time in the car yesterday and listened to it a couple of times, once just sat there and absorbing it properly. Lyrically, it's phenomenal, but so much of that has to do with the delivery, which is somehow emotional and raw, but thanks to its absolute restraint. It might be my current state of mind, but the layers of grief it encompasses devastate on so many levels- from losing the "man that I cannot keep", to the "mother that haunts me, even though she's gone" and to the "crumbling tombstones" of "all forgotten names".
Ultimately, it's just beautifully sad. Right up there amongst Ray of Light's very best.
I smelled her burning flesh
Her rotting bones
Her decay...
I spent a long time in the car yesterday and listened to it a couple of times, once just sat there and absorbing it properly. Lyrically, it's phenomenal, but so much of that has to do with the delivery, which is somehow emotional and raw, but thanks to its absolute restraint. It might be my current state of mind, but the layers of grief it encompasses devastate on so many levels- from losing the "man that I cannot keep", to the "mother that haunts me, even though she's gone" and to the "crumbling tombstones" of "all forgotten names".
Ultimately, it's just beautifully sad. Right up there amongst Ray of Light's very best.
I smelled her burning flesh
Her rotting bones
Her decay...