Old TOTP (BBC4) (2 Viewers)

Hang on we have Thursday's episode now?

It was shown in the usual late night slot which I normally record, it must have just been the early evening one that got bumped. They are usually repeated Saturday nights as well.
 
MARV.

Watching now. Come Into My Life is such a TREAT. As is Joyce HERSELF!
 
I genuinely thought Erasure covered Dollar until right now. Theresa looks good.
 
Is it still the case that the late night show is longer than the early evening one, and we get an extra performance?
 
Anyway, to pick up on T'Pau earlier. I'm a staunch defender of them in some ways, but 'Valentine' really is gash.

And Jermaine Stewart has to have one of the most unpleasant voices I've ever heard.
 
Episodes are starting to run down so I'd better do a catch up...

Sinitta. g.t.F.o. more like it, amirite?
 
Depeche Mode looking oddly cheerful...they must have availed themselves of the hospitality.
 
I remain amazed that none of The Stranglers were #MeToo'd. Or even Yewtree'd for that matter.
 
Gary Davies is such a dick - "Here's a band who are really living up to their name - Climie Fisher!" That IS their names, you twerp. I assume he meant the song but so what, he's still a tit.
 
Tiffany was shite. There, I've said it. Honking like a strangled goose there.

Also, Krush - so joyless for a hit dance record...trying to look moody but they just look like no-one had 50p for the meter.
 
That was a really boring edition - thank goodness for "Heaven Is A Place On Earth", what an absolute life-giver, even now.
 
Bros were fucking dismal but, ultimately, all of it was worth it for that astonishing comeback documentary. Really.
 
Proud TOTP tradition in full effect on this edition...Joys Sims sat at a piano on a record that doesn't have any piano on it, Luke and Craig from Bros miming bass guitar and acoustic drums on a record that clearly features neither...ah, the 80's.
 
I don't remember Dollar's "Oh L'Amour" AT ALL. Clearly my memory had banished it for a reason.
 
Mark Goodier has the smarmy air of an eighties city boy in his first appearance:

Vanessa Paradis has just gone to number one in Canada. GREAT RESULT.

Lovely to see The Primitives though.
 
It was a pretty weak episode last night. And tonight we have another compilation!
 
I've just realised we're gonna lose episodes in the 1990s due to R Kelly

*sigh*
 
Tiffany goes to London and no-one gives a shit. Insert image of the Houses of Parliament.
 
Cross My Broken Heart an absolute treat.

I do love Love Changes Everything as well.
 
Much like Sonia's Star Test, I always forget that the French And Saunders Bros spoof wasn't a real single of theirs.

If only I could find it on youtube.
 
A song which is justifiably number eighteen on the charts...

These presenters do say the strangest things.

Anyway loved Sweet Sin in her iconic dress and always a pleasure too see Morten too.
 
I remember being appalled by Can I Play With Madness as a child, specifically its presence on Now 12. I was quite indifferent listening to it then.
 
I remember being appalled by Can I Play With Madness as a child, specifically its presence on Now 12. I was quite indifferent listening to it then.
It had the oddest chart run - 3 weeks in the top 5 and then dropped like a rock out the charts 3 weeks later.
 
It had the oddest chart run - 3 weeks in the top 5 and then dropped like a rock out the charts 3 weeks later.

For their singles I don't think it was particularly unusual.
 
They did manage a few weeks in the top 10 before plummeting though, often. I'm wondering if they staggered release of formats to keep a rabid fanbase buying.
 
Eddy Grant - my parents had a Grant GH tape on when I was a kid, so I'm super familiar with all this singles.

My memory is that this was really big - I guess I'm about to find out if my ailing sieve of a brain is telling true.

The Mission - Nonsense, but I did like that the lead guy was basically super real about the whole thing on the 1998 show.

First clutch of The Mission's singles still sound good to me but they always wanted to sound "huge" and ended up chasing bombast. "Tower Of Strength" hasn't aged well and has a shit middle 8 with a rubbish synth.
 
This Rick Astley clip sees VERY UNNECESSARY.

Oh I remember this, there was a total cock up with The Brit Awards that year - they announced that he'd won the award (THE big award in those days) and then someone ran on shouted that there was no time and introduced The Who. The lad was in the papers the next day, looking gutted.
 
THE PLASTIC POPULATION HAVE ARRIVED :disco:

WHAT A TIME TO BE ALIVE

This and "Beat Dis" were real headturners for me. It was essential The Art Of Noise retuned for the dancefloor, never a natural home for me but the fact that they were doing it with records rather than twenty-grand sampler keyboards made it feel accessible. Both records feel super-cheesy now but mainly because of the overuse of the clips and voices sampled on those records.

Coldcut even put a version with just the samples on the b-side of the 7".
 

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