It's the first song on the album, they almost always have long instrumental intros, at least since Kiss Me Kiss Me Kiss Me.The song is great. But I could do with a radio editthe intro is too long.
His vocal sounds as good as ever though![]()

So I've always had a casual (at best) interest in The Cure but I'm really into this new album.
As do IThey really do love an extended intro though.

These sounds are mostly just washing over me without intended effect. I genuinely think there's something a bit off with the production here? All the instrumentation feels weirdly compressed, robbed of whatever vitality it should have. Like, the drums coming in on 'Endsong' should be a moment but it just feels like a continuation of a curiously-enervated, over-extended lament. I guess that might be the point, I dunno, but I'm not feeling it which sucks. Oh well, I'm glad that this is getting such a rapturous reception regardless. Alongside myself they're the only good eggs that have ever sprung from WEST SUSSEX (tho they're from Crawley which is hella ew and one does not claim it) and I always root for them. It's wild to me that Smith's voice hasn't changed since the 70s wtf.The mix of the album is quite odd in places but given that it's not a constant feature (ie A Fragile Thing has a much clearer mix), I'm assuming that everything is how Smith wanted it. It does feel like someone accidentally knocked the compressor up a couple of notches on the way to the mastering studio tho'.Hmm, I've historically struggled with the Cure tbh. I love many many individual songs ('In Between Days' might have my fave intro to any song ever) but haven't connected with any of the albums that I've listened to. Was hoping this might change things given that it's thematically very much in my 2024 wheelhouse but sadly it's not clicking.These sounds are mostly just washing over me without intended effect. I genuinely think there's something a bit off with the production here? All the instrumentation feels weirdly compressed, robbed of whatever vitality it should have. Like, the drums coming in on 'Endsong' should be a moment but it just feels like a continuation of a curiously-enervated, over-extended lament. I guess that might be the point, I dunno, but I'm not feeling it which sucks. Oh well, I'm glad that this is getting such a rapturous reception regardless. Alongside myself they're the only good eggs that have ever sprung from WEST SUSSEX (tho they're from Crawley which is hella ew and one does not claim it) and I always root for them. It's wild to me that Smith's voice hasn't changed since the 70s wtf.