Gosh I've become a proper vinyl collector over the past few years.
I've been buying vinyl for a while as a way to support artists and albums I like with the shift to streaming, but it was a MAD HUNT for a particular colour variant of Orville Peck's Pony that really drove me over the edge - which has since further accelerated as I've been lucky enough to have a decent amount of disposable income due to working full-time as normal during lockdown.
I actually think it's a pretty healthy habit to have. I get genuine JOY from vinyl, it doesn't really decrease in value unless you're buying something that has a huge pressing, and I honestly think it sounds better. There's been some pressings recently (FKA Twigs' Magdalene and the recent Christine + The Queens EP spring to mind) that have sounded SO GOOD I've genuinely had to stop what I'm doing and just sit and listen to them & have a moment with the music.
I'd also think nothing of spending 50 quid+ on a night out or dinner, and spending that on vinyl gives me something that lasts UNTIL THE DAY I DIE

(lucky relative stuck with a load of NICHE ARTIST COLOURED VINYL to try and flog on discogs for surprisingly decent prices).
You do have to get in there early though with the limited variants, as it's obviously become a profitable way for labels to recoup advances by printing 2000 or so of a special colour that's very likely to sell out. Albums that aren't really on your radar until you actually hear them (Jessie Ware springs to mind recently) often have their limited versions SOLD OUT before you even realise that you want to own it.
My best buy recently was a gold swirl variant of Caroline Polachek's Pang for £16.99. It's already going for £70+ on discogs, and I've only owned it about a MONTH!
