I've kept one eye on young Abel's career ever since the beginning. Memories of marching into the only music store in Cambodia and demanding that they get hold of the then-upcoming Trilogy because the guy 'is the future' <facepalm>! I imagined that he'd fly relatively under the radar, be beloved of the Pitchfork crowd, and deliver a couple of wall-to-wall brilliant albums at some point. Instead he's morphed into a commercial behemoth, and though there've been plenty of quality bops along the way, I've yet to hear that masterpiece I once thought him capable of. And I kinda feel like the moment's passed now that he's moved onto different thematic territory (downside of sex & drugs = far more relatable than downside of fame innit). There's some v good stuff on Hurry Up Tomorrow ('São Paulo', 'Open Hearts', the title track) but there's also a lot of bloat that eventually merges into indistinguishable background noise, which is an issue I have with almost all his records. If this is his last as 'The Weeknd' - and I doubt it will be - then I'll be interested to see if he manages to reinvent himself and/or exercise some greater quality control moving forward. Still yet to top House of Balloons imo.
ETA: Also omg at this fucker going on about turning THIRTY-FOUR as if it's time to hit the care home!! Reason enough to cancel him, pfffft.