Pipo
LOVE SENSATION y'knowhattamean
oh yay Tame Impala!
Is Olivia Dean an industry plant? WHO IS SHE? Why is she everywhere all of a sudden? She makes Lola Young and Benson Boone look legitimate.
She’s actually a very talented singer songwriter in the Amy Winehouse / Celeste / Norah Jones jazz-pop category. She seems to have captured a hard-to-find lane that reaches both the kids and the oldies.
Man I Need is ten times the song anything either of them have ever come out with!Is Olivia Dean an industry plant? WHO IS SHE? Why is she everywhere all of a sudden? She makes Lola Young and Benson Boone look legitimate.
Man I Need is ten times the song anything either of them have ever come out with!


Effective this week, on the first Hot 100 of Billboard’s 2026 chart year, altered tiers will dictate when songs move to recurrent status following their runs on the ranking.
Previously, descending songs were removed from the Hot 100 once falling below No. 25 after 52 weeks or below No. 50 after 20 weeks. Descending songs will now depart via the following thresholds, once they are:
Below No. 5 after 78 weeks
Below No. 10 after 52 weeks
Below No. 25 after 26 weeks
Below No. 50 after 20 weeks
Songs gaining below those markers will be eligible to remain on the Hot 100 on a case-by-case basis. Plus, holiday classics will qualify to return above No. 50 regardless of total chart weeks, and then be subject to the rules noted above upon their descents; the same for newly-surging non-holiday catalog songs, with those without significant chart history eligible to debut at any rank, as considered individually. Songs will also continue to be removed from the all-format Radio Songs chart once they go recurrent on the Hot 100.
Notably, amid the takeover of streaming during the past decade, the Hot 100 has reflected repeat listening more than ever before. Concurrently, as reflected on Billboard airplay charts, radio stations are now generally holding onto hits longer and in frequent airplay rotations. That shift has resulted in charts that move more slowly than in the past.
The latest adjustments will alleviate congestion in various regions of the Hot 100, helping to move out songs that have gone recurrent at radio formats and/or are no longer actively being promoted by labels for DSP playlisting.
In especially recent years, songs have logged some of the longest Hot 100 runs to date, led by Teddy Swims’ “Lose Control,” which leaves the Oct. 25 chart after a record 112-week stay. Other hits that move to recurrent status this week include Benson Boone’s “Beautiful Things,” after 89 weeks, and Lady Gaga and Bruno Mars’ “Die With a Smile,” after 60.
Well yes unless it actively gains again, which is unlikely. And I think it has to have enough points for top 5 assuming it does gain in a particular week, based on its weeks on the chart.so hold on, despite Lose Control having millions of streams weekly, it'll never be able to chart again?
To this point, I think old viral songs can still chart in a similar fashion. If they have fewer than 20 weeks tallied they can chart anywhere on the Hot 100 still. If they have more weeks and actively gaining, i.e going viral, they will chart so long as they have enough points for that section of the chart.I hope they launch a catalogue streaming chart now as it’s still very useful to the industry to see which old songs are trending.