What have been your favourite big pop girl blockbuster "eras"?

Jark

PLUMP and RIPE
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...this side of the year 2000.

I think the last two decades have, every couple of years, produced the kind of big pop girl album + adjacent campaign that sticks in the memory long after as a kind of gold standard for how it's done - think single choices, videos, perfs, tour, lewks, zeitgeist-invasion and good old-fashioned NOSTALGIA.

A few that spring to mind for me...

Kylie_Minogue_-_Fever.png

Ticks all the boxes - superb album, image reinvention, gorgeous visuals/videos targeted almost squarely at the gays at certain points, and constant, blanket media coverage - in 2002 it felt like we were all living in Kylie's world. The power of this era proved overwhelming in the context of Kylie's career and the albums that followed inevitably feeling like disappointments in one way or another, whether for the music or the success.

R-5741325-1545795603-5095.jpeg.jpg

The unknown factor of the lead singer of a reliably big but only sometimes-mainstream rock band striking out alone with pop domination in her sights, the fact that each of the first four singles sounded like a SMASH (and each performed better than the last until Hollaback Girl) as the world either discovered or re-discovered Gwen Stefani, the casual serve of the stungorge Cool music video at a point in the campaign where most girls get a tour video or nothing at all... and the (since-reappraised) curiosity factor of Gwen taking four Japanese dancers with her at every stop of promo and her world tour. In every sense L.A.M.B. was a once-in-a-lifetime pop era.

Mariah_Carey_The_Emancipation_of_Mimi.png

A classic comeback narrative, the feeling of a diva being reborn, the iconic run of singles, three straight UK top 10s for the first time in a decade (would've likely been 4 had Shake It Off/Get Your Number not been a double-A), We Belong Together becoming Billboard's biggest song of the decade, the high-budget gloss of the music videos and the NARRATIVE SERVE of It's Like That/WBT keeping us on our toes and gagging for more... :disco:

Dua_Lipa_-_Future_Nostalgia_%28Official_Album_Cover%29.png

EARLY DAYS obviously but considering Future Nostalgia is almost certainly my album of the year, has spawned the biggest hit of Dua's career which seems to be both an immediate and a guaranteed future classic, has produced a flawless run of FIVE singles plus a remix album, with new collabs and a reissue still to come and a tour on the distant horizon, I don't think it's too soon to say that Dua did that and Future Nostalgia has earned its place among the greats.

So, what are YOUR faves?
 
Christina Aguilera - Stripped.

Mariah Carey - The Emancipation of Mimi.

Lady Gaga - The Fame / Monster.

Beyoncé - I Am... Sasha Fierce.

Miley Cyrus - Bangerz.

Lady Gaga - ARTPOP.

Beyoncé - BEYONCÉ.

Iconic.
 
Madonna - Confessions on a Dance Floor : nothing & no one else comes close for me. A master stroke in every shape and form. Especially when you consider the musical landscape at the time, her age (we have to consider it it even though we don't see it - the public did and does) and the fact that she was coming off her first big flop in nearly a decade.


Kylie Minogue - Fever
Beyoncé - Beyoncé
Beyoncé - Lemonade
Robyn -
Robyn (ok she's not a big pop girl but who cares)
Lady Gaga - The Fame MONSTER
Christina Aguilera - Stripped

Honorary mention: the anti-Christ & antithesis of everything listed above her:

Britney Spears - BLACKOUT
(and yet it's still one of the best albums ever as we all know)

Time will tell when it comes to Dua Lipa.

Mimi fans: I mean no shade. I would have included Mimi but I think the campaign was flawed actually and could have gone a lot better given the material and Mariah herself at the time.
 
The gag of anyone claiming Love Angel Music Baby beyond a think-piece on cultural appropriation in twenty twenty is quite... something.
No lies detected and I already jancelled this album in my mind years ago to be honest.

Some of the songs were cute ('Luxurious', 'What you Waiting For', 'Danger Zone' and 'Serious') but a lot of the rest of the album is pure trash ('Rich Girl', 'Hollaback Girl').

And the visuals were problematic then and still are now. Poor Katy Perry had to apologise (on screen) for 'Unconditional' and yet Gwen stans (all 3 of them) still think her parading of "cute Japanese girls" - :manson: - (on screen and in her lyrics) is okay? Yeah. Well. Let's not get into that.
 
Girls Aloud - Out of Control
Lana Del Rey - Born to Die/Paradise
Christina Aguilera - Stripped
Nelly Furtado - Loose
Fergie - The Duchess
Lady Gaga - The Fame Monster
Ariana Grande - My Everything
Miley Cyrus - Bangerz

It’s odd that I can’t put a Britney era here in good conscience. All of the campaigns were flawed in some respect aside from debut (bad single choices, she wasn’t “all there”, bad promo...) . I’d say ITZ came the closest but for the knee injury and singles post-Everytime. Circus also came close but the hype sort of vanished once we realized she couldn’t perform.
 
The gag of anyone claiming Love Angel Music Baby beyond a think-piece on cultural appropriation in twenty twenty is quite... something.
It may be problematic in some ways through today's lens, but in 2004/early 2005 it was comfortably the most exciting campaign in quite a while. Girl was just TOSSING OUT classic singles with iconic videos like it was nothing.
 
I think The Duchess has stood the test of time better, and is better remembered/loved, than Loose on the whole. Loose feels so of that moment in time now. Funny though that both had an "imperial era" with their respective albums, went away for a bit and then were never even remotely relevant as (solo) popstars again.
 
It may be problematic in some ways through today's lens, but in 2004/early 2005 it was comfortably the most exciting campaign in quite a while. Girl was just TOSSING OUT classic singles with iconic videos like it was nothing.
It might have been for some but believe me for some of us it was problematic even back then. It's not like she was dressing herself up with 'pretty Japanese girls' ( :manson: ) as accessories in the 1960s or soemthing..
 
she took four incredibly talented Japanese/American dancers around the globe, gave them a platform in multiple continents and regular employment across two album campaigns and two global tours beb. I agree there's an argument to be made about accessorising and that's not a good look, but those girls benefited massively too.
 
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she took four incredibly talented Japanese/American dancers around the globe, gave them a platform in multiple continents and regular employment across two album campaigns and two global tours beb. I agree there's an argument to be made about accessorising and that's not a good look, but those girls benefited massively too.
White savior complex much :eyes:
 
And yes, Loose was very special to me. Seeing Nelly do so well, having loved her from the first album, that felt really good.
 
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99 BEYONCÉ
99 Confessions on a Dancefloor
98 Born To Die
98 The Fame Monster
97 1989
97 Fever
96 I'm Not Dead
96 Stripped
96 In The Zone
95 The Duchess
95 Good Girl Gone Bad
95 Love Angel Baby Music
 
99 BEYONCÉ
99 Confessions on a Dancefloor
98 Born To Die
98 The Fame Monster
97 1989
97 Fever
96 I'm Not Dead
96 Stripped

96 In The Zone
95 The Duchess
95 Good Girl Gone Bad
95 Love Angel Baby Music

The underlined ones - yes and yes.

In the Zone campaign was aborted and we all know there were many theories (was it really an injury? Outrageous video etc. etc.) and it could have been so much better, so no I wouldn't personally include it.

I suppose I have to say something about The Duchess. Ugh. Well, maybe at the time yes it was successful but does anyone even remember it now? Zero impact and hasn't aged well at all.
 
Most faves of mine have already been mentioned already BUT I would hastly add

Katy Perry - Teenage Dream
Britney Spears - Oops! I Did It Again
Avril Lavigne - Let Go
Rihanna - Rated R/Loud/Talk That Talk
Amy Winehouse (RIP) - Back To Black
Madonna - Music
The Pussycat Dolls - PCD
Adele - 21

god my BUSSY has POPPED just by typing this list

Even though they're not GIRLS but I also have to say

Justin Timberlake - FutureSex/LoveSounds
Usher - Confessions
Craig David - Born To Do It

:disco: BOPPING TBH
 
In the Zone is very SPESHUL because it was my first full Britney era while having an INTERNET CONNECTION at home. I used to LIVE and BREATHE (on me) Britney back then.
 
I usually find eras that produce only three proper singles to feel a bit underwhelming. They're over SO SOON. I want my pop girls to DOMINATE FOR AGES. The only exception that's been mentioned in this thread is Music, because that campaign had such a strong visual aesthetic and properly iconic, career-best singles to kick off the new millennium with while proving she was still THE QUEEN.
 
SAMBA SAMBA SAMBA
AH AH AH AH AH AH
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:disco:

Ugh it should have been the fourth single.
 
Music would have been an all-time great era, but it really dropped off post Don't Tell Me. Impressive Instant should have been single #3.
 
Music would have been an all-time great era, but it really dropped off post Don't Tell Me. Impressive Instant should have been single #3.
I don't know about that. I mean Drowned World Tour was HUGE - yes there weren't hits on the setlist etc. but the anticipation of Madonna on tour again after so many years was off the charts.
 
Gaga, the Imperial era.
Yaaas.

The sous-entendu being everything between Just Dance and The Edge of Glory. A glorious era for homosexuality. It is no coincidence Grindr was founded at the same time. Ms. God / Ms. Allah was feeling her oats in the 08-11 era.
 
Can we please collectively on Moopy cancel LAMB and Gwen though? Thanks.
You know Mariah was NOT here for someone stealing her lamb concept. So much so that she had to stomp back in a few months later and show the inferior understudies what a true ERA looked like.
 
(Well mostly for the FLAB bit in the middle (pardon the pun) - i.e. not WBT and not the lipsynced bit at the end but the come to JESUS mid-section)
 
Madonna: '84 until '91 was an unparalleled ascent.

Gaga: The Fame Monster was like tagging on "The Immaculate Collection: The E.P" onto her debut album. The audacity, the nerve and the embarrassing trail of Leona Lewises ordering face masks off ebay - she swallowed the world whole in one gulp.

Shania: the singles offering up a kaleidoscope of prizes was never done more commercially successful and more cynically than this, I'm surprised the woman who took Mutt away from her hasn't had a plague of voice destroying insects released into the home wrecker's home for getting in the way of these incredible skyscraper pop albums we were getting.
 
The underlined ones - yes and yes.

In the Zone campaign was aborted and we all know there were many theories (was it really an injury? Outrageous video etc. etc.) and it could have been so much better, so no I wouldn't personally include it.

I suppose I have to say something about The Duchess. Ugh. Well, maybe at the time yes it was successful but does anyone even remember it now? Zero impact and hasn't aged well at all.

has anyone really forgotten about Glamorous, Big Girls and Fergalicious? all of which became massive top 2 hits in the U.S. and have become 2000s pop music staples in their own right. you couldn't find a 00s Spotify list without at least two of them.

same thing with Me Against The Music, Toxic and Everytime, a luscious 1-2-3 pop music punch that didn't necessarily need a follow-up hit in my book.
 
Does anyone really ever listen to Fergie anymore? Honestly though. She is the very definition of 'of the time'.
 

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