I gave NFR a spin on Sunday having not listened to it end to end since the week of release. It's an end-to-end album, much like "Honeymoon" rather than one you can pick from like "BTD" or "LFL" (Ultraviolet works as both, I think). It's like a Cassavetes film, long shots of a woman's state of mind minus the "fanciness" of "Lust For Life" (insofar as it's unedited and often beatless). As such, it's an album best suited to being sat down with and taken in rather than being jammed into earphones or chopped into commercially viable chunks. It's no wonder the critics loved it; she gave them a lyric sheet with plenty to write about but also with gaps to fill in for themselves.
The trouble with the plans for a quick follow-up and a spoken word album within the next 6-9 months is the potential to dilute this, to have NFR end up as part of an "era" (this happened to "Paradise", especially in those territories like the UK where it wasn't released on its own) but we shall see.