Derivative, irrelevant and thoroughly off-putting cover (and Nork Kunst :grim
aside - I suppose she's trying to say "I'm exposing myself" (
) but there are far more intelligent and subtle ways of going about that - I've decided that I really quite like it, having listened to it about five times. The fading-into-a-glacial-eternity reverb or echo or whatever it is on some of the vocal lines is fantastic, the frosty production is a thrill and some of the eurotastische chords remind me of Sandra in her prime (and the vein-openers on 'Ray Of Light'), which is never going to put me off. I suppose that some of it is a bit tropical, but I haven't sickened of that malarkey yet.
I think Madame thinks she's significantly edgier and more self-revealing than she actually is because, as much as I like it, it's just standard issue (hence high quality) Swedish pop. Actually, there's a fair bit here which would easily cause excitement and COME ON YOU DEAD EYED CUNT posting if it were featured in a MGP, except the fucking Danes or fucking Norwegians would choose some fucking cock with a guitar and a full house of anal warts instead.
TOP QUATRE: 'Influence', 'True Disaster' (genuinely fabulous and OH the chords at the beginning), 'Vibes' (especially the vocal treatment in the chorus) and 'Imaginary Friend', which is the absolute highlight even if it does remind me of something else. 'WTF Love Is' has also been growing on me, although obviously I tie up the children in the cellar when that one comes on
7/10
aside - I suppose she's trying to say "I'm exposing myself" (
) but there are far more intelligent and subtle ways of going about that - I've decided that I really quite like it, having listened to it about five times. The fading-into-a-glacial-eternity reverb or echo or whatever it is on some of the vocal lines is fantastic, the frosty production is a thrill and some of the eurotastische chords remind me of Sandra in her prime (and the vein-openers on 'Ray Of Light'), which is never going to put me off. I suppose that some of it is a bit tropical, but I haven't sickened of that malarkey yet. I think Madame thinks she's significantly edgier and more self-revealing than she actually is because, as much as I like it, it's just standard issue (hence high quality) Swedish pop. Actually, there's a fair bit here which would easily cause excitement and COME ON YOU DEAD EYED CUNT posting if it were featured in a MGP, except the fucking Danes or fucking Norwegians would choose some fucking cock with a guitar and a full house of anal warts instead.
TOP QUATRE: 'Influence', 'True Disaster' (genuinely fabulous and OH the chords at the beginning), 'Vibes' (especially the vocal treatment in the chorus) and 'Imaginary Friend', which is the absolute highlight even if it does remind me of something else. 'WTF Love Is' has also been growing on me, although obviously I tie up the children in the cellar when that one comes on

7/10
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THIS RIGHT NOW PLEASE!